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Wednesday, 18 August 2010

[I320.Ebook] Ebook Free Performance Practices in Classic Piano Music: Their Principles and Applications (Music: Scholarship and Performance), by Sandra P. Rosenbl

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Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.

Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum’s detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi.

"... is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." ―American Music Teacher

"Rosenblum’s monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." ―Journal of Musicological Research

"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." ―Early Keyboard Journal

"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." ―The Musical Times

"Its importance to thoughtful musicians cannot be overstated." ―Choice

"... thoroughly musicological." ―Performance Practice Review

"... indispensable... " ―New York Times

Sales Rank: #605908 in Books
Published on: 1988-11-22
Released on: 1988-11-22
Original language: English
Number of items: 1
Dimensions: 9.97" h x 1.16" w x 6.50" l, 1.93 pounds
Binding: Paperback
544 pages

Review
"... is and will remain unsurpassed as 'the study' dealing with performance practice as it pertains to keyboard music of the Classical period." American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." The Musical Times "Its importance to thoughtful musicians cannot be overstated." Choice " ... thoroughly musicological." Performance Practice Review " ... indispensable ... " New York Times

About the Author

Sandra P. Rosenblum has lectured widely on performance practices at universities, schools of music, and both national and international conferences. The author of numerous journal articles and of editions of sonatas by Scarlatti and Clementi, Ms. Rosenblum holds degrees from Wellesley College and Harvard University. She has been the recipient of fellowships from the American Council of Learned Societies and the Radcliffe Institute. Her present research is on the music of Chopin.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Think in your students and you!
By Evelyn Melendez
Every serious piano professor should buy this book AMD incorporated to his or her lessons.

5 of 6 people found the following review helpful.
The ultimate reference book
By Jennifer L
This is one of the finest books ever written on classical piano music. It is a valuable resource to any pianist wishing to make informed decisions on ornamentation, articulation, and all aspects of classical style. Thank you Dr. Rosenblum for your monumental work.

2 of 3 people found the following review helpful.
Exactly what I've been searching for long long long time!
By A Customer
As a piano instructor, I thought that C.P.E.Bach's The True Art of Playing Keyboard Instruments should be the comprehensive companion on performance practice, but found it is a little bit old in some ways. Then one of my friends who is on piano faculty at the Michigan University in An Arbor recommended this book to me. I believe this book is the exact guide to me when talking about performance practice on mordern piano especially in stylistic interpretation on general issues, such as how to deal with small slurs in different classical composers, different expression marks, etc. Great in many ways.

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Monday, 16 August 2010

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Sales Rank: #8995122 in Books
Published on: 1705
Binding: Paperback

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Friday, 13 August 2010

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The most authoritative and comprehensive text in Abnormal Psychology, now with DSM-5 coverage throughout.

The esteemed author team of Jim Butcher, Jill Hooley, and Sue Mineka offers students the most thoroughly researched, engaging, and up-to-date explanation of psychopathology, creating a learning experience that provokes thought and increases awareness. By adopting a comprehensive bio-psycho-social perspective, this text takes students to levels of understanding that other books do not offer.

The 16th edition of Abnormal Psychology reflects the revision of the Diagnostic and Statistical Manual (DSM-5). Hundreds of new references have been added to reflect the ever-changing field of abnormal psychology.

MyPsychLab is an integral part of the Butcher / Mineka / Hooley program. Key learning applications include MyPsychLab video series with new virtual case studies.

Teaching & Learning Experience

Personalize Learning - MyPsychLab is an online homework, tutorial, and assessment program. It helps students prepare for class and instructor gauge individual and class performance.
Explore Research – The authors present their diverse research interests in an exciting way that provokes thought and increase awareness.
Improve Critical Thinking – Review questions at the end of major sections within the chapters provide opportunities for self-assessment and reinforce learning.
Engage Students – Most chapters begin with a Case Study to engage students' attention right from the outset.
Support Instructors – A full set of supplements, including MyPsychLab, provides instructors with all the resources and support they need.

0205965091 / 9780205965090 Abnormal Psychology Plus NEW MyPsychLab with eText -- Access Card Package

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0205206514 / 9780205206513 NEW MyPsychLab with Pearson eText -- Valuepack Access Card

0205944280 / 9780205944286 Abnormal Psychology

Sales Rank: #208483 in Books
Published on: 2013-07-31
Original language: English
Number of items: 1
Dimensions: 11.10" h x 1.20" w x 9.00" l, 4.05 pounds
Binding: Hardcover
764 pages

About the Author

James N. Butcher was born in West Virginia. He enlisted in the Army when he was 17 years old and served in the airborne infantry for 3 years, including a 1-year tour in Korea during the Korean War. After military service, he attended Guilford College, graduating in 1960 with a BA in psychology. He received an MA in experimental psychology in 1962 and a PhD in clinical psychology from the University of North Carolina at Chapel Hill. He was awarded Doctor Honoris Causa from the Free University of Brussels, Belgium, in 1990 and an honorary doctorate from the University of Florence, Florence, Italy in 2005. He is currently professor emeritus in the Department of Psychology at the University of Minnesota. He was associate director and director of the clinical psychology program at the university for 19 years. He was a member of the University of Minnesota Press’s MMPI Consultative Committee, which under-took the revision of the MMPI in 1989. He was formerly the editor of Psychological Assessment, a journal of the American Psychological Association, and serves as consulting editor or reviewer for numerous other journals in psychology and psychiatry. Dr. Butcher has been actively involved in developing and organizing disaster response programs for dealing with human problems following airline disasters. He organized a model crisis intervention disaster response for the Minneapolis-St. Paul Airport and organized and supervised the psychological services offered following two major airline disasters: Northwest Flight 255 in Detroit, Michigan, and Aloha Airlines on Maui. He is a fellow of the American Psychological Association and the Society for Personality Assessment. He has published 55 books and more than 200 articles in the fields of abnormal psychology, cross-cultural psychology, and personality assessment.

Jill M. Hooley is a professor of psychology at Harvard University. She is also the head of the experimental psychopathology and clinical psychology program at Harvard. Dr. Hooley was born in England and received a B.Sc. in Psychology from the University of Liverpool. This was followed by research work at Cambridge University. She then attended Magdalen College, Oxford, where she completed her D.Phil. After a move to the United States and additional training in clinical psychology at SUNY Stony Brook, Dr. Hooley took a position at Harvard, where she has been a faculty member since 1985.

Dr. Hooley has a long-standing interest in psychosocial predictors of psychiatric relapse in patients with severe psychopathology such as schizophrenia and depression. Her research has been supported by grants from the National Institute of Mental Health and by the Borderline Personality Disorder Research Foundation. She is currently using fMRI to study emotion regulation in people who are vulnerable to depression and in people who are suffering from borderline personality disorder. Another area of research interest is non-suicidal self-harming behaviors such as skin cutting or burning.

In 2000, Dr Hooley received the Aaron T. Beck Award for Excellence in Psychopathology Research. She is currently the president of the Society for Research in Psychopathology. The author of many scholarly publications, Dr. Hooley is an Associate Editor for Applied and Preventive Psychology. She also serves on the editorial boards of several journals including the Journal of Family Psychology, Family Process, and Personality Disorders: Theory, Research and Treatment.

At Harvard, Dr Hooley has taught graduate and undergraduate classes in introductory psychology, abnormal psychology, schizophrenia, mood disorders, psychiatric diagnosis, and psychological treatment. Reflecting her commitment to the scientist-practitioner model, she also does clinical work specializing in the treatment of people with depression, anxiety disorders, and personality disorders.

Susan Mineka, born and raised in Ithaca, New York, received her undergraduate degree magna cum laude in psychology at Cornell University. She received a PhD in experimental psychology from the University of Pennsylvania, and later completed a formal clinical retraining program from 1981–1984. She taught at the University of Wisconsin-Madison and at the University of Texas at Austin before moving to Northwestern University in 1987. Since 1987 she has been Professor of Psychology at Northwestern and since 1998 she has served as Director of Clinical Training there. She has taught a wide range of undergraduate and graduate courses, including introductory psychology, learning, motivation, abnormal psychology, and cognitive-behavior therapy. Her current research interests include cognitive and behavioral approaches to understanding the etiology, maintenance, and treatment of anxiety and mood disorders. She is currently a Fellow of the American Psychological Association, the American Psychological Society, and the Academy of Cognitive Therapy. She has served as Editor of the Journal of Abnormal Psychology (1990–1994). She is currently serving as an Associate Editor for Emotion, and is on the editorial boards of several of the leading journals in the field. She was also President of the Society for the Science of Clinical Psychology (1994–1995) and was President of the Midwestern Psychological Association (1997). She also served on the American Psychological Association’s Board of Scientific Affairs (1992–1994, Chair 1994), on the Executive Board of the Society for Research in Psychopathology (1992–1994, 2000–2003), and on the Board of Directors of the American Psychological Society (2001–2004). During 1997–1998 she was a fellow at the Center for Advanced Study in the Behavioral Sciences at Stanford.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Aaron M. Vedock
By Aaron M. Vedock
This is IMHO, hands-down the authoritative text on Abnormal Psychology today. We used the 11th edition in my graduate school psychopathology, and I recently purchased this updated edition, with all of the DSM-V changes added. Looking forward to re-reading this text once again. It serves as a "go-to" reference, which I keep on my office desk at all times. One down-side, they no longer publish the "study guide" that accompanied previous editions, wish they would bring that back in future editions.

5 of 5 people found the following review helpful.
14 ed Abnormal Psychology
By Bonnie Leigh
The 14th edition is an excellent text for Abnormal Psychology or Behavior Pathology. Its cross reference to the DSM-IV-TR is up to date and current with the most recent research on all of the DSM-IV-TR disorders. I do not recommend purchasing an earlier edition, because this has so much more detail and illustrations especially the most recent brain biology.Abnormal Psychology (14th Edition)

5 of 6 people found the following review helpful.
Average but too much fluff
By Patrick Estes
Material in book was pretty good overall, and I liked how they had chapter summaries, and sections dedicated to updates/advancements in the field. The negative thing about this textbook is that the print is so small it made my eyes hurt reading it and there was too much fluff. The chapters took forever to read and with all the fluff it made it nearly impossible to skim.

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Under the Human Rights Act, British courts are for the first time empowered to review primary legislation for compliance with a codified set of fundamental rights. In this book, Aileen Kavanagh argues that the HRA gives judges strong powers of constitutional review, similar to those exercised by the courts under an entrenched Bill of Rights. The aim of the book is to subject the leading case-law under the HRA to critical scrutiny, whilst remaining sensitive to the deeper constitutional, political and theoretical questions which underpin it. Such questions include the idea of judicial deference, the constitutional status of the HRA, the principle of parliamentary sovereignty and the constitutional division of labour between Parliament and the courts. The book closes with a sustained defence of the legitimacy of constitutional review in a democracy, thus providing a powerful rejoinder to those who are sceptical about judicial power under the HRA.

Sales Rank: #7095488 in Books
Brand: Brand: Cambridge University Press
Published on: 2009-05-29
Released on: 2009-05-07
Original language: English
Number of items: 1
Dimensions: 8.98" h x .94" w x 5.98" l, 1.63 pounds
Binding: Paperback
470 pages

Features

Used Book in Good Condition

Review
'This excellent book should be on the required reading list of every human rights syllabus that aims at getting under the skin of the Human Rights Act (HRA), understanding fully where it fits in Britain's system of government and wrestling with the complexities of terminology, interpretation and proper application to which it has given rise. ... an indispensable guide to the first 10 years of the HRA, by the finest scholar of the first generation to have cut their academic teeth on the measure.' Professor Conor Gearty, Public Law

'Aileen Kavanagh's book adds to [the] body of scholarship through a particularly skilful analysis of the methodology that underlies judicial decision-making in terms of the HRA. ... her work probably qualifies as the most comprehensive of its kind to date. For this admirable feat the author deserves praise.' European Constitutional Law Review

'Constitutional Review under the UK Human Rights Act is a most significant contribution to the understanding of the exercise of the powers conferred on the judiciary in the United Kingdom by the HRA. It is likely to acquire the status of a book that no serious discussion of human rights law in the United Kingdom, or, for that matter, in Australia, can afford to ignore ... it is a remarkable achievement.' The Hon Justice Pamela Tate, Australian Journal of Administrative Law

'In this review, I have managed only to touch upon the wealth of legal analysis, historical scholarship, and philosophical argument contained within Kavanagh's impressive book. Suffice it to say that those who would like to learn something - or a bit more - about the status of constitutionalism outside North American borders and who relish sophisticated, balanced philosophical analysis informed by a thorough understanding of the relevant legal practice would be well advised to read this book.' Professor Wil Waluchow, Constitutional Commentary

'Aileen Kavanagh is now firmly established as one of the United Kingdom's foremost constitutional scholars; she has taken a central role in expounding and justifying the practice of constitutional review described in the title of this book, doctrinally, constitutionally and theoretically ... [This is] an excellent book - one that is essential reading for anyone who wants to acquire a serious and sophisticated understanding of constitutional review under the Human Rights Act.' Human Rights Law Review

About the Author
Aileen Kavanagh is Reader in Law at the University of Leicester.

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Friday, 6 August 2010

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Original language: French
Dimensions: 8.27" h x .79" w x 5.71" l,
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Thursday, 5 August 2010

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Published on: 2012-05-22
Binding: Paperback

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For some, it is not enough to buy a guitar—the challenge of designing and hand-making a unique, customized instrument is the dream. Since 1986, these people have turned to one book: Make Your Own Electric Guitar. Written in a clear, relaxed style, it covers every facet of guitar design and construction, as well as electronic theory and practice, and full woodworking and wiring techniques—all supported with plenty of photos and diagrams. Now in a revised and expanded edition, Make Your Own Electric Guitar will enable any musician or enthusiast with basic woodworking skills to create a uniquely valuable instrument.

Sales Rank: #352639 in Books
Published on: 2003-03-01
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 10.50" h x .54" w x 8.50" l, 1.81 pounds
Binding: Paperback
224 pages

About the Author
Dr. Brian May, founding member of Queen, has a PhD in Astronomy and is the co-author of Bang! The Complete History of the Universe and The Cosmic Tourist

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2 of 2 people found the following review helpful.
Don't start a guitar without it
By Richard C. Hancock
I have been a professional woodworker for over 30 years, I specialize in finish carpentry and stairs. I have a good knowledge of wood species, tools, jointery and woodworking techniques. Having said all that I am very glad I purchased this book before I began making my first guitars. Hiscock covers everything from how to design a well balanced, good sounding, strong guitar, all the way through finishing techniques and guitar setup. The author also covers the three methods of attaching neck to body, how to calculate neck angle, placement of fingerboard, bridge and pickups. The pictures and illustrations are high quality and easy to understand. I am constantly referring back to this book as I am working on my guitars. My only knock is the section explaining what tools one would need to build a guitar. To build a guitar with just the tools shown would require a great deal of skill and time. To make the job a whole lot easier a good quality table saw, jointer, routers, surface planer and spindle sander would be good to have access to. As a whole I would highly reccommend the book.

13 of 13 people found the following review helpful.
Terrific book for inspiration and practical advice
By Michael Bedward
This book has been my essential reference while building my first solid body electric guitar. Melvyn has written a very comprehensive and practical guide to all stages of construction from the basics of designing your own instrument through to applying the finishing touches.
I like the way Melvyn discusses a variety of approaches for each task in design and building. You are encouraged to understand and think creatively rather than follow a strict plan. If that sounds a bit fuzzy, and the lack of detailed plans puts you off (there are none in this book) I can try to reassure that all you need is here. Despite having next to no woodworking experience myself I'm now most of the way through my first instrument and already planning the next couple. It also gave me the confidence to front up to a local luthiery (Gilet Guitars in Sydney, Australia), choose my materials and ask some reasonably intelligent questions.
One really nice aspect of the book is that Melvyn shares anecdotes about his own mistakes over the years so that you can anticipate problems - or at least not feel too bad when you make a few mistakes of your own along the way.
So, in summary - buy this book and be inspired.

11 of 11 people found the following review helpful.
Outstanding
By A Customer
If we waited for a book to be perfect, they would never be finished. This particular book, however, is as close in its genre as could be found. It covers everything you need to know, from how to determine the spacing of frets, to how to wire your electronics, to how to install truss rods. Overall, I would not hesitate to recommend this book to anyone interested in the subject. Prior to reading it, I was frankly just scared of working on my own guitar. Although I don't have immediate plans to build my own, this book has given me the confidence to make modifications to my current one and to realize that many of the people who have worked on my guitar knew far less about what they were doing than I now know.
The book does assume that you have some basic skills in woodworking and electronics; it would be unreasonable to expect the author to teach you this also. Yet, the author does provide valuable and appreciated tips and pointers in these areas regardless. He pretty much covers it all. Over and over again I found myself thinking "thank you!" to the author for the information - buy this book, you won't regret it.

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