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Toybox, by Al Sarrantonio
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Little Selene was bored. And then came the mysterious Toyman, carrying a very special toybox, filled with wonders and terrors beyond imagination. As Selene peered into the toybox, the stories tumbled out: a quiet little girl whose horrible secret bursts forth at a Halloween party... a doll made of corn that hides a very nasty surprise... a depraved celebration for the last vampire... All of these and many more awaited Selend - and now they wait for you - inside the toybox. Go ahead, open it, if you dare.
Toybox is the first ever collection of stories by horror master Al Sarrantonio, Bram Stoker Award-winning author of more than 20 novels and editor of the landmark horror anthology 999. Toybox itself was nominated for an International Horror Guild Award for best collection.
- Sales Rank: #111200 in Audible
- Published on: 2012-01-09
- Format: Unabridged
- Original language: English
- Running time: 499 minutes
Most helpful customer reviews
13 of 13 people found the following review helpful.
Wonderfully eerie
By Jeff Miller
I have been reading horror fiction for most of my life. I am a rabid Lovecraft fan, and have read hundreds of novels and short story collections. I consider myself discriminating, only reading the best in horror fiction -- the stuff that really scares the hell out of you and makes you fear the dark.
That being said, this is now my favorite short horror story collection. The unsettling feeling that these stories leave you with will linger for quite some time.
15 of 16 people found the following review helpful.
And Now For Something Completely Different...
By Jeffrey Leach
I can't decide what I like better: horror novels or collections of horror short stories. Short stories usually read faster, and they often contain stronger shocks than a novel because the author has to deliver the goods within the space of a few pages. Novels are great because the reader often gets better character development and multiple plot threads. I guess I can keep reading both types of horror literature and quit worrying about which one of the two is superior, although after reading Al Sarrantonio's collection of horrific gems, entitled "Toybox," I am giddy about short stories right now. It is difficult to describe why I liked this collection so much, as there is little in the way of the type of gory violence I always look forward to with a horror book. Despite the absence of sauce, this book is well worth reading for literate fans of the horror genre. Apparently, Sarrantonio has written tons of novels and stories over the past two decades, but I am a little ashamed to admit that this is the first book of his I have stumbled over. The introduction by Joe Lansdale effusively praises Al Sarrantonio's work as some of the best the horror field has to offer.
The first thing I noticed about this author's stories was the intricate yet whimsical writing style. On more than one occasion, I felt as though Sarrantonio must have channeled Dr. Suess while he wrote his tales, not in a literal sense, but more in how the stories bounce along in a pithy, sing-song way. The fact that many of these stories use children as the main characters also reminded me of the author of "Green Eggs and Ham." Stories that fall into this category include "Pumpkin Head," a strange tale about an unpopular classmate with a horrible past, "The Corn Dolly," a haunting yarn about a young boy who finally attends the festival in the local village and learns a disturbing secret about his long gone father, and "Wish," a primer about being careful about what you wish for in life. A sizeable part of this collection deals with the hopes and dreams of the young, with yearnings that usually end with catastrophic consequences once they come true. Several of the stories are amazingly short, barely more than three or four pages, but Sarrantonio's adroit use of the English language makes these shorter than short tales as satisfying as a sprawling novel.
Towards the end of the book, a few stories took on a darker, more ominous tone. Although I found most of the stories in the book entertaining, I soon discovered I preferred these tales. "Children of Cain" is probably the best entry in this part of the book, an account of two boys who end up sharing a murderous passion with devastating results for those around them. Then there is "Richard's Head," about an introverted genius and the repercussions of a relationship gone sour. "Red Eve" is more of a science fiction/horror story about the futility of the human race to advance beyond its disastrous limitations. "Pigs" relates the adventures of Jan, a man living in communist Poland who must flee for his life when he learns the authorities are after him.
Sarrantonio's "Toybox" is definitely not your standard horror fare these days. Few authors in the genre achieve such amazing results with the English language, let alone write stories that possess a sort of wide-eyed innocence while at the same time delivering shocks. I wouldn't go so far as to say any of these stories actually scared me (I rarely find stories or novels that spook me these days), but they are decidedly different due to a lack of gore. In fact, most of the stories imply rather than show any carnage. That's not a bad thing, but if you like horror tales with lots and lots of gruesome descriptions, you may not have much fun with Al Sarrantonio.
3 of 3 people found the following review helpful.
A truly fine collection from one of the American masters of the horror short.
By Robert Beveridge
Al Sarrantonio, Toybox (Leisure, 2011)
Sarrantonio has written the odd novel over the course of his career, but his strength, to me, has always been short stories. I first encountered Sarrantonio back in an old Year's Best Horror collection (I think it was in 1980, but don't quote me, and yes, I bought it new). Sarrantonio's story closed the volume. It was called "Pumpkin Head". I don't recall my twelve-year-old self being overly impressed with it at the time, but the story's final, somewhat mysterious, line haunted me for decades until I got round to reading the story again recently. It's not "mysterious" in that it doesn't fit with the story; it does, and it conveys the information it is supposed to convey. And yet it has always seemed to me that there is a great deal more to that last line than the conveyance of information; there is something much larger and more chilling there, some sort of unfathomable depth of hunger that is wrapped up in lifelong loneliness and horrific abuse and world-burning hatred.
I'm telling you all this, naturally, because Toybox, aside from the very short beginning to a framing device that pops up now and again throughout this collection, starts off with "Pumpkin Head", and thirty years later, it's just as innocent and heartbreaking and still has that core of pure, unadulterated hatred. And as I went through the collection, I discovered that Sarrantonio does that sort of thing exceptionally well; I'd read a few of the stories here before (though none stayed with me in remotely as much detail as "Pumpkin Head"), but had never really made the connection that this guy writes about kids, almost exclusively, and that his ability to make the reader experience that sort of hapless innocence is exactly what makes his stories so good.
There is a downside to this that shows up in the book: Sarrantonio's stories feel weird and out-of-place when he's writing exclusively about adults. But that doesn't happen often here, all the stories of that type are confined to one section, and this will in way affect your enjoyment of this story collection. Which is very enjoyable. If you've never been exposed to the work of Al Sarrantonio, this is a great way to start. If you're already a fan, but have never picked up one of this story collections, this works for you, as well. If you don't like short stories... okay. I can't help you there. But the rest of you, go for it. ****
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